Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers
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![Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/tp33fairbrother.width-600.jpg)
Tate Papers no.33: 2020
![Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig4_0_G5QXV7x.width-340.jpg)
Artist Versus Teacher: The Problem of David Bomberg's Pedagogical Legacy – Tate Papers
![Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/1_22.width-340.jpg)
The Framing of John Constable's Salisbury Cathedral from the Meadows – Tate Papers
![Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig18_2kcMDQv.width-340.jpg)
Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers
![Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/22.width-340.jpg)
Artist Versus Teacher: The Problem of David Bomberg's Pedagogical Legacy – Tate Papers
![Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/12.width-340.png)
No Continuing City': John Constable, John Britton and Views of Urban History – Tate Papers
![Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig8_resize.width-340.jpg)
Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers
![Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig2_3_M24o7cR.width-340.jpg)
Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers
![Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig5_resize.width-340.jpg)
Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers
![Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig10_0_XRei3UN.width-340.jpg)
Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers
![Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party – Tate Papers](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/9_2.width-340.png)
No Continuing City': John Constable, John Britton and Views of Urban History – Tate Papers
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